Far away from the centers of great civilizations, peoples of the negroid (blackish) racial, circulating barely in the tropics, and living a primitive life under the angry sun, continue to give the artwork a holy and magical meaning in the ancient times. These peoples spread on the African surface to the Great Ocean from Australia to Madagascar and the Eastern Islands and form two large groups of cultures.
They share a common sense of aesthetics, in the absence of known historical associations, Alexis Texas that these races, painted or engraved forms are the product of an inspiration from the other world and carry supernatural powers. This understanding not only dominates the ancestral depictions, the masks used in the fetishes and the totemes representing the good spirits and the evil demons, or in the ceremonies with religious dances, but also in objects with symbolic values that are used in everyday life and with stylized symbols (for example, head figures on the polynesian boats). The reason for this is that primitive man always lives in relation to the afterlife. Therefore, the attitude of the negroid artist or the ocean artist is a bit contrary to realism. When the artist revives a bird, a crocodile or a human form, he pursues an idea, not an imagen, and therefore emphasizes certain features; Styling lines and volumes, and as a result, the true features of the object he depicts, due to his belief in magic and secrets, undergo a profound change. In black art and ocean art, in contrast to the practice of white-haired, primitive or barbarian peoples, are both atelier worship Because of its religion, human figure takes a very important place. The mask is an object of great importance to these civilizations, and it is believed that wearing a mask changes the personality of the person who uses it. In burial or worship ceremonies, which are masked dances, primitive man thinks that his ancestor has migrated to the other side, or that he has acquired his positive qualities.
A basic feature of this art is that history does not exist. The artistic products that the explorers gather before their relationship with modern civilization causes degeneration in local cultures, their origins have been long forgotten and recently used objects. Only parts of Africa can offer a historical perspective. It seems that, like an island, Africa, Mediterranean, Alexis Texas or Asian civilizations, which have been cut off from the world, have not been worthy of mention.
It is necessary to exclude Ethiopia, which has been captured by Muslims in North Africa, Egypt, where remarkable civilization developed, and Ethiopia, which has adopted Christianity and has taken primitive Christian art, known as Coptic art, The cave was probably found in Northwest Sahara and in Rodezia, as well as cave paintings that went back as far back as a period in France and Spain. In this last region, the remains of Zimbabwe, which was supposed to have been established by Bantul in the fifteenth century, were found. Undoubtedly, under the influence of the Mediterranean civilization, the former mythical kingdom (ivory estate), believed to have reached its peak at the height of its development in the sixteenth or seventeenth century, has brought out admirable bronze and ivory works of human or animal. The excavations in West Africa, however, revealed the magnificent bronze works that had been carried out before the arrival of the Portuguese, and therefore older than Benin’s products. They show that Black Africa has created a highly developed artistic civilization before the tribal art degenerates. These productive black tribes live in Sudan, ORA Africa, the coast of Guinea and the Congo region. Based on the carving and shaping of the board in its basic sense, African art is loaded with a lofty and tragic sense of self in a hard and dry stylization, based on straight line curved lines and based on reduced geometric forms. It is this feature that influences our period fovars and cubist painters.
Oceania Alexis Texas has created more complex, more mysterious and poetic works that have more impact on imagination. Oceanian native, more inclined to curve lines and wrinkles; Whereas in the forms of African art, dramatically separated from each other. In the styles of Oceanian artists, they seem to be far more out of nature than Africans. These are sculptures, but at the same time they have paintings on boats and a painter who expresses himself in painting masks and sculptures. The art of ocean shows great diversity from island to island. The most interesting and beautiful works are found in Melanezia in New Caledonia, Solomon Islands, Vanuatu Islands, New Zealand and the Marquesas Islands. In the eastern islands, the last island chain extending to America, there were five hundred monolithic sculptures of unknown origin and human figures.
North American Indians have not been as rich in artistic presence as the same people of the same race who live in the middle or south of the continent. In New Mexico, Rio Grande, the culture of Pueblos is a derivative of the aristocratic civilizations of Central America and forms a provincial center connected to them. These peoples built towns that were sheltered under the rocks or built in the skirts of the hills and built in semi-circular form. As we go north, it is noteworthy that the Indians in these regions are painters who, rather than the sculpture they have remained nomadic, are dealing with making colorful paintings or creating face painting ornaments.
In South America, in the Amazon region and along the Atlantic Ocean, primitive peoples have continued to give artifacts in a corrupt pre-Columbian art form mixed with effects that sometimes seemed directly to Polynesian art with island chains.
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